Put a Kicker-Light on the hair of your talent. Light the subject and the screen separately.Just simple green cardboard does not cut it. Use the proper shade of highly saturated green or blue as a background.Use the highest possible quality your camera can record - maybe rent an external recorder if the internal codec is weak.Of course, the results of a chroma key depend on the quality of the footage you are trying to key. To get keyable footage, keep these things in mind: Turns out: you can!Ĭheck out this Quick Tip Video, where I‘ll show you how this works. What I did not realize at first was that you could use the 3D qualifier to pull chromakeys. When Blackmagic introduced the 3D qualifier to DaVinci Resolve I was impressed by how much better it was to select ranges of colors for secondary color correction, compared to the old qualifier algorithms. Don‘t fret - there is a decent Chroma Key hidden in DaVinci Resolve‘s Color page. If you are working in the Studio version of Blackmagic DaVinci Resolve you do have one of the best Keyers in the world at your fingertips.īut working the Fusion page is not for everyone.
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